Deborah Vischak Assistant Professor
Ph.D., New York University, 2006
Deborah Vischak specializes in ancient Egyptian art history and archaeology, with a secondary focus in the art and archaeology of the ancient Middle East. Drawing on analytical methods from both art-historical and archaeological scholarship, Vischak’s work seeks a unified approach to all material forms, from landscapes to monumental sculpture and architecture, and the innumerable layers between. Her work explores a range of themes, including the importance of spatial context, embodied experiences of landscape and material culture, the communicative role of style, community identities, the social construction of ancient visuality, the significance of difference in material culture, and the agency of the people who produced it. A central goal of Vischak’s work is to communicate more actively with the wider art historical and archaeological communities, in order to encourage a more substantial role for ancient Egyptian visual culture in the scholarly dialogues concerning history and material culture.
Her recent monograph Community and Identity in Ancient Egypt (Cambridge University Press, 2015) analyzes the unusual Old Kingdom elite tombs in the ancient cemetery at Qubbet el-Hawa in modern Aswan. The book argues that the unique form of these monuments represents a carefully and intentionally crafted expression of local community identity within the framework of the Egyptian state, an identity rooted in the location of the town at the boundary between Egypt and Nubia, and by the work of the local population on border control and expeditions into Nubia.
Vischak has traveled throughout Egypt to excavate and conduct field research. She has been a postdoctoral fellow in the Department of Art and Archaeology, as well as a postdoctoral fellow and lecturer in the Department of Art and Archaeology at Columbia University, and she has taught at the City University of New York, the Pratt Institute, and Parsons The New School for Design in New York. She has spoken at numerous conferences and museums, and her work has been supported by the American Association of University Women and the United States Agency for International Development.
Vischak teaches courses in ancient Egyptian art history and archaeology from all time periods, as well as archaeological methods and theory and comparative studies of ancient Middle Eastern art. Her teaching approaches ancient monuments as the products of real people by bringing out environments, materials, creative processes, and modes of reception, and developing narratives around groups of objects. Students engage primary and secondary sources to hone their skills of formal analysis, to illuminate the different ways objects may be used to understand the past, and to develop fundamental skills of critical thinking.
Current projects include a monograph on ancient Egyptian elite tombs from their pre-Dynastic origins through the Greco-Roman era, integrating their material, visual, and textual aspects in a comprehensive manner. In addition, Vischak is coediting a volume publishing the papers presented at the conference The Egyptian Image in Context, which she organized when she was a postdoctoral fellow at Princeton.
“Agency in Old Kingdom Elite Tomb Programs: Traditions, Locations, and Variable Meanings,” in Dekorierte Grabanlagen im Alten Reich: Methodik und Interpretation, Internet-beiträge zur Ägyptologie und Sudanarchäologie 6, ed. Martin Fitzenreiter and Michael Herb (Golden House Publications, 2006).
“Common Ground between Pyramid Texts and Old Kingdom Tomb Design: The Case of Ankhmahor,” Journal of the American Research Center in Egypt 40 (2003).