Pamela Patton

Director, The Index of Medieval Art
Medieval Art History
Phone: 
(609) 258-6363
Email Address: 
ppatton@princeton.edu
Office Location: 
2C-5 Green Hall

Profile

Ph.D., Boston University, 1994

Pamela Patton’s scholarship centers on the visual culture of medieval Spain and its environs, particularly the role of the image in articulating cultural identity and social dynamics among the multiethnic communities of the Iberian Peninsula. Central to her work is the exploration of medieval iconographic traditions as uniquely expressive of community ideologies, practices, and folkways critical to modern understanding of the medieval world. She has published two monographs: Pictorial Narrative in the Romanesque Cloister (Peter Lang, 2004) and Art of Estrangement: Redefining Jews in Reconquest Spain (Penn State University Press, 2012), the latter the winner of the 2014 Eleanor Tufts Book Award. Her edited volumes include Envisioning Others: Race, Color, and the Visual in Iberia and Latin America (Brill, 2016).

Before joining Princeton in 2015, Patton was professor and chair of art history at Southern Methodist University, where her recognitions included the President’s Associates Outstanding Faculty Award and a Godbey Author’s Award. She is a coeditor of Studies in Iconography, a field editor for Oxford Bibliographies in Art History and a member of the Comité Asesor, Historia del Arte, Consejo Superior de Investigaciones Científicas. Her scholarship has been supported by fellowships from the Kress Foundation, the National Endowment for the Humanities, and the Spanish Ministry of Culture.

Teaching Interests

Patton’s teaching interests include multiculturalism and the visual culture of the Iberian Peninsula, artistic exchange in the medieval Mediterranean, race and identity in the Middle Ages, and the nature of the medieval image.

Current Research

Patton’s current research follows two main strands: the intersections of color and race in the visual traditions of medieval Iberia and the tension between observation and invention in the manuscripts of King Alfonso X.

Publications List: 

“What Did Medieval Slavery Look Like? Color, Race, and Unfreedom in Later Medieval Iberia,” Speculum 97, no. 3 (July 2022), forthcoming.

“Blackness, Whiteness, and the Idea of Race in Medieval European Art,” in Whose Middle Ages? Teachable Moments for an Ill-Used Past, ed. by Andrew Albin et al. New York: Fordham University Press, 2019, 154-165.

“Color, Culture, and the Making of Difference in the Vidal Mayor,” Toward a Global Middle Ages: Encountering the World Through Illuminated Manuscripts, ed. by Bryan C. Keene. Los Angeles: Getty Museum, 2019, 182-189.

“Demons and Diversity in León,” Medieval Encounters (special issue, edited by Therese Martin), vol. 25, nos. 1-2 (2019), 150-179.

“The Other in the Middle Ages: Difference, Identity, and Iconography,” in The Routledge Companion to Medieval Iconography, ed. Colum Hourihane (London: Routledge, 2017).

“An Ethiopian-Headed Serpent in the Cantigas de Santa María: Sin, Sex, and Color in Late Medieval Castile,” Gesta 55.2 (2016).

Editor and introduction, Envisioning Others: Race, Color, and the Visual in Iberia and Latin America (Brill, 2016).

“The Little Jewish Boy: Afterlife of a Byzantine Legend in Thirteenth-Century Spain,” in Byzantine Images and Their Afterlives: Essays in Honor of Annemarie Weyl Carr, ed. Lynn Jones (Ashgate, 2014).

Art of Estrangement: Redefining Jews in Reconquest Spain (Penn State University Press, 2012).

“Constructing the Inimical Jew in the Cantigas de Santa María: Theophilus’s Magician in Text and Image,” in Beyond the Yellow Badge: Anti-Judaism and Antisemitism in Medieval and Early Modern Visual Culture, ed. Mitchell B. Merback (Brill, 2008).

“An Islamic Envelope-Flap Binding in the Cloister of Tudela: Another ‘Muslim Connection’ for Iberian Jews?” in Spanish Medieval Art: Recent Studies, ed. Colum Hourihane (Arizona Center for Medieval and Renaissance Studies and Index of Christian Art, Princeton University, 2007).

“Cain’s Blade and the Question of Midrashic Sources in Medieval Spanish Art,” in Church, State, Vellum, and Stone: Essays in Honor of John Williams, ed. Julie Harris and Therese Martin (Brill, 2005).

Pictorial Narrative in the Romanesque Cloister: Cloister Imagery and Religious Life in Medieval Spain (Peter Lang, 2004).

“The Cloister as Cultural Mirror: Anti-Jewish Imagery at Santa María la Mayor in Tudela,” in Der Mittelalterliche Kreuzgang: Architectur, Funktion und Programm, ed. Peter Klein (Schnell & Steiner, 2003).