Shing-Kwan Chan

Bio/Description

Profile

Shing-Kwan Chan is a Ph.D. candidate at Princeton University, specializing in Chinese art from the seventeenth to the twenty-first centuries. His dissertation project, entitled “Flora and Fauna in Focus: Artistic Innovations and Scientific Explorations in Nineteenth-Century Nature Paintings from Guangdong, China,” explores the interdisciplinary intersection of art and natural history in nineteenth-century China through the significant yet understudied works of Ju Chao 居巢(1811-65) and Ju Lian 居廉 (1828-1904). His other research interests include the transnational history of Chinese art, performance art, Hong Kong art, museum studies, and issues related to gender and sexuality. 

Shing-Kwan holds a bachelor’s degree (Hons.) from the University of Hong Kong (HKU) and a master’s degree from St. Cross College, University of Oxford. Before his academic pursuits at Princeton, he was a Curatorial and Research Associate at the University Museum and Art Gallery, HKU, where he oversaw the development of the Study Gallery and curated both virtual and on-site exhibitions, including “Painting Across the Threshold: Ng Lung Wai” in 2021. Additionally, he gained professional experience as a Cataloguer/Junior Specialist at Phillips Auctioneers in Hong Kong.

His work has been published in journals such as the Museum History Journal and Yishu: Journal of Contemporary Chinese Art, and he has presented his research at institutions including the University of Oxford, the University of York, and Hong Kong Baptist University. 

Selected Publications

“From Marginalization to C.A.R.E.: Collaborative Art for Resilience and Empowerment in Pokfulam Village, Hong Kong,” in Marginalized Communities and Intersectionality in Contemporary Art and Education in Hong Kong, edited by Fongfong Chen (Amsterdam: Amsterdam University Press) [forthcoming]

“Relics and rapprochement: The intricacies of cultural diplomacy in China’s first archaeological exhibition in the U.S. during the Cold War era,” Museum History Journal vol. 17, no. 1 (Apr 2024): 76-94. DOI: 10.1080/19369816.2023.2283630

Up Against the Wall: Contemporary Chinese Performance Art and the Great Wall,” Yishu: Journal of Contemporary Chinese Art vol. 18, no. 5 (Sep. 2019): 39-51.

Public Displays of Affliction: On Zhang Huan’s 12m2,” Yishu: Journal of Contemporary Chinese Art vol. 17, no. 1 (Jan. 2018): 97-107.

Field(s)
East Asian Art