Carmen Rosenberg-Miller is a PhD candidate in the Department of Art and Archaeology at Princeton University. She studies nineteenth- and early twentieth-century European art under the supervision of Professor Bridget Alsdorf.
Carmen received her M.A. from Princeton in 2018. She also holds an M.A. in the History of Art from The Courtauld Institute of Art in London (2014), where her thesis on Jean-Léon Gérôme’s polychromatic sculptural practice was awarded a distinction, and a B.A. in Art History from Columbia University.
Carmen’s dissertation, titled “Representing Difference: Painting and Performance in the Art of Raffaëlli and His Circle,” considers the relationship between representation and identity in French art of the second half of the nineteenth century through the lens of Jean-François Raffaëlli’s artwork and writing. In 2019, she was awarded a Fulbright to conduct research in France. Her research in France has also been supported by Princeton University’s Dean’s Fund for Scholarly Travel.
Carmen has presented her work at AHNCA’s Annual Graduate Student Symposium in Nineteenth-Century Art at the Dahesh Museum of Art (2019), Rutgers University’s Annual Art History Graduate Student Symposium (2019), and the Arts and Medias Symposium at the University of Montreal (2019). At Princeton, Carmen has served as a graduate affiliate in the Program in European Cultural Studies.