Ph.D., Cornell University, 1996
Tina Campt is Roger S. Berlind ’52 Professor of Humanities. She holds a joint appointment between the Department of Art and Archeology and the Lewis Center for the Arts. Campt is a black feminist theorist of visual culture and contemporary art and lead convener of the Practicing Refusal Collective and the Sojourner Project. She began her career as a historian of modern Germany, earning a Ph.D. in history from Cornell University. She is one of the founding scholars of Black European Studies, and her early work theorized gender, racial, and diasporic formation in black communities in Europe and southern Africa, with an emphasis on the role of vernacular photography in historical interpretation. Campt’s more recent scholarship bridges the divide between vernacular image-making in black diasporic communities and the interventions of black contemporary artists in reshaping how we see ourselves and our societies. Her teaching reflects her ongoing interest in exploring the multiple sensory registers of images and the importance of attending to their sonic and haptic registers.
Campt has published five books and received the 2020 Photography Catalogue of the Year Award from Paris Photo and Aperture Foundation for her co-edited collection, Imagining Everyday Life: Engagements with Vernacular Photography (with Marianne Hirsch, Gil Hochberg and Brian Wallis, Steidl, 2020). Campt has held faculty positions at Brown University, Barnard College-Columbia University, Duke University, University of California-Santa Cruz, and the Technical University of Berlin.
A Black Gaze: Artists Changing How We See (MIT Press, 2021).
Imagining Everyday Life: Engagements with Vernacular Photography (with Marianne Hirsch, Gil Hochberg and Brian Wallis, Steidl, 2020).
Listening to Images (Duke University Press, 2017).
Image Matters: Archive, Photography and the African Diaspora in Europe (Duke University Press, 2012).
Other Germans: Black Germans and the Politics of Race, Gender and Memory in the Third Reich (University of Michigan Press, 2004).