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Opaque Surfaces and Lived Illusions: Minimalism and the Status of Painting in the 1960s
The Portraits Historiés of Henri IV (1589–1610)
Hagios Ioannis Prodromos Monastery on Mount Menoikeion: Byzantine Monastic Practice, Sacred Topography, and Architecture
Problems Concerning the Archaic Acropolis at Athens
Watteau and the North
Conventional Pictures: Charles Marville in the Bois de Boulogne
The Organization of Imperial Workshops during the Han Dynasty
Li Kung-lin's Hsiao Ching T'u: Illustrations of the Classic of Filial Piety
Len Lye’s Cinematic Art, c. 1926–44
Gian Lorenzo Bernini: The Development of an Architectural Iconography
Brescia after the League of Cambrai: Moretto, Romanino, and the Arts
Whistler and the Aesthetic Movement
Fire on the Mountain: A Comprehensive Study of Greek Mountaintop Sanctuaries
The Terracottas of Morgantina: 400–50 B.C.
Ravanica Monastery Fresco Paintings in Medieval Art of the Balkans: Interpretation of Its Iconographic and Programmatic Formulas; Their Geneses and Implications
The Role of Man Ray in the Dada and Surrealist Movements
Leonardo and The Borgias
Recurring Figure-Types on Classical Attic Grave Stelai
City Planning in Turin 1800–1865: From Napoleon I to the First Capital of Italy
The Salerno Ivories
The Architectural Theories of Francesco di Giorgio
Momei (Ink Plum), the Emergence, Formation, and Development of a Chinese Scholar-Painting Genre
The Carnivalesque and Belgian Modernism
Reframing the Lands of Rum: Architecture and Style in Eastern Anatolia, 1240–1320
Staging the Social Document in the Progressive Era: Jacob Riis, Frances Johnston, Lewis Hine
Canopies: The Framing of Sacred Space in the Byzantine Ecclesiastical Tradition
The Drawings of Jacopo Bertoia
The Art of Confessionalism: Picturing Lutheran, Reformed, and Catholic Faith in Northwest Germany, 1580–1618
Manuscript Illumination in Toledo (1446–1495): The Liturgical Books
The Visible and the Legible: Paul Klee, 1916–1923
Possessing the Holy: Private Churches and Private Piety in Late Antiquity
The Adam Style in America: 1770–1820
Tales of Gisho and Ganyo: Editor, Artist, and Audience in Japanese Picture Scrolls
Li-Kung-Lin and the Long Handscroll Illustrations of T'ao Ch'ien's Returning Home
Sir Joshua Reynold's Collection of Paintings
The Country Under the City: The Symbolic Topography of the Rustic Past in Late Republican and Early Imperial Rome
Painting in Seville from Pacheco to Murillo: A Study of Artistic Transition
Texture of the Weave: Techniques for Ch’ixi Modernity in the Americas
New Objectives: German Painting and Organized Capitalism, 1923–1929
Vision and Visionaries: 19th-Century Psychological Theory, the Occult Sciences, and the Formation of the Symbolist Aesthetic in France
The Content of Context: Appropriation in American Art of the 1980s
Image of a University: A Study of Architecture as an Expression of Education at Colleges and Universities in the United States between 1800 and 1900
Wassily Kandinsky and the Vicissitudes of das Innere, 1908–1914
The Disposition of Persons: Conventions of Pose and the Modernization of Figural Art, 1886–1912
Coptic Style