Completed Dissertations

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The Rebuilt Chateau in the Work of Jules Hardouin-Margaret
The Ethics and Aesthetics of Reuse in Postmodern Design
Responsive Communication: The Emergence of Mail Art in Latin America
Philippe de Champaigne: Studies in Style, Theory and Jansenist Influence
Clay Impressions from Attic Metalwork
"Our Decorative Scheme": Abstraction and Subversion in the Designs of the Omega Workshops, 1913–1919
Fabricated Images: Invented Dress in British and Colonial American Portraits
Cardinal Giulio de'Medici as a Patron of Art, 1513–1523
Martin Kippenberger and Mike Kelley: The Artist Persona and the Precarious Middle Class
The Colonial Revival
Reinterpretation of the "Palace of Bryas": A Study in Byzantine Architecture, History and Historiography
The Byzantine Element in the Architecture and Architectural Sculpture of Venice, 1063–1140
Studies in the Personal Imagery of Cosimo I de'Medici, Duke of Florence
Architectural Translations: Giuseppe Barberi (1746–1809) Between Rome and Paris
Properties of Word and Image: Mou Yi's 1240 Fulling Cloth Handscroll
The Romanesque Sculpture of Lanquedoc and Spain in the Late Eleventh and Early Twelfth Centuries
From Abstraction to Model: In the Event of George Brecht and the Conceptual Turn in the Art of the 1960s
Roman Pottery from the Athenian Agora
Eighteen Songs of a Nomad Flute
Museum of the Unknown: Art, Architecture, and the Avant-garde in the 20th Century
Representing Difference: Painting and Performance in the Art of Jean-François Raffaëlli
Dolce’s "Arentino" and Venetian Art Theory of the Cinquecento
Jacques Callot and Court Theatre (1608–1619)
Megarian Bowls in the Athenian Agora
Vox Civitatis: Aspects of Thirteenth-Century Communal Architecture in Lombardy
Concordia and Succession at Rome
Ornamental Paintings of the Venetian Renaissance
Documents of Social Life: Photography in Popular Front France