In Progress
Shen Nanpin and the Theorization of Painting in Early-Modern Japan
Painting as "Construction": Ground and Compositional Tectonics in Ferdinand Hodler's Parallelist Paintings (1889-1918)
Commemoration and Community: Illuminated Gospel Manuscripts in Monastic Ethiopia, 1280-1350
The Figure and Figuration in Nineteenth-Century American Painting
Alvin Langdon Coburn and the Question of Pictorial Reproducibility
Representing Difference: Painting and Performance in the Art of Raffaëlli and His Circle
The Embeddedness of Religion in the Classical Greek House and its Consequences for Social Practice
Suggestions: Art and the Influence of the Psyche after National Socialism
Ethnographic Re-Telling: The Art of Lothar Baumgarten
The Moods of Early Russian Art: A Belated Chapter of Byzantine Aesthetics
Confronting the Past in the Critical Third Century
Local Color: Race, Ethnicity, and Gender in Nineteenth-Century Paintings of Spain
Retrospective Styles in Roman Visual Culture
Deliberate Defacement: Provocation and Response in Byzantine Illuminated Manuscripts
A Sublime Art: Akinola Lasekan and Colonial Modernism in Nigeria
Fieldwork: Problems of Observation in Latin American Video
Documents of Social Life: Photography in Popular Front France
The Improvement of Contemporary Art From Information Aesthetics to Post-Conceptual Painting
Margin, Surface, Depth: Picturing the Contours of the Marine in 19th-Century America
The Renovation of the Habsburg-Lorraine residences: Eighteenth-century Imperial and Archducal Palaces in Prague, Brussels, and Florence
Paintings, Bound: The Problems of Reading Nineteenth-Century Japanese Printed Pictorial Books
Concordia and Succession at Rome
Opaque Surfaces and Lived Illusions: Minimalism and the Status of Painting in the 1960s
Staging the Social Document in the Progressive Era: Jacob Riis, Frances Johnston, Lewis Hine
The Content of Context: Appropriation in American Art of the 1980s
Wassily Kandinsky and the Vicissitudes of das Innere, 1908–1914
Drawing from Architecture: The Conceptual Methods of Sol LeWitt's Art, 1965–1980
The Art of War: Battle Paintings of New Spain, 1665–1714
Language, Body, World: The Art of Hans Bellmer
Johann Georg Bendl: Premier Sculptor of Prague’s Early Baroque
Mandu Yenu Thrones: Tradition, Aesthetics, and Politics in the Bamum Kingdom, 1885–2008
Glorious Pulpits: Flemish Preekstoelen, 1650–1750
The Augustan Honorific Altar: Its Emergence, Monumentalization, and Eclipse
Asger Jorn and the Classification of Disfiguration 1948–65
A New Realism: Fernand Léger, 1918–1931
The Art of Vija Celmins
Assembling ‘Korea’: Peninsular Arts in Sixteenth-Century Japan
Court and Countryside: Central Italian Villas of the Mid-Sixteenth Century
I am the True Vine: Acculturation, Appropriation, and Assimilation in Religious Iconography of Late Antiquity
"Right Matter in the Right Place": The Paintings of Albert Pinkham Ryder
The Histories of Greek Cult Statues outside of Ritual
The Prehistory of the Middle and Lower Changjiang Region
"When we made movies just to make them": Warhol's Films and the Surface of the 1960s
The MARS Group: Going Modern in Britain, 1933–1957
Documentary Expanded: The Work of Hito Steyerl, 1994–2015
The Sculptural Prop and the Activation of the Object, 1960–1979
The Ethics and Aesthetics of Reuse in Postmodern Design
"Our Decorative Scheme": Abstraction and Subversion in the Designs of the Omega Workshops, 1913–1919
The Album Format in Nanjing Painting, 1640–1680
Byzantium not Forgotten: Constructing the Artistic and Cultural Legacy of an Empire between East and West in the Early Modern Period
Veri Ritratti: Pietro Longhi and Genre Painting in Eighteenth-Century Venice
Raoul Ubac's Photographic Surrealism
Methods for Modernism: Arthur Wesley Dow Intersects the Stieglitz Circle
Truth in Translation: Discourses of Photography in Republican Era China
Collaboration in Painting Practice: Notions of Individuality and Quality in Chinese Art
The Johns Device: The Intersection of Bodies, Words, and Objects in Jasper Johns’s Art, 1959–1972