2023
Architecture and Representation in Roman Visual Culture
Natural Disaster in the Atlantic World: Aesthetics, Delight, and Risk during the Long Eighteenth Century
Hybrid Monuments: Hybridity, Biology, and Architecture in Mid-Nineteenth Century France
Garden Architecture in Norman Sicily: Ecosystems of Pleasure and Power
Confrontation and Collaboration: American Artists and Museums in the 1970s
Remains: Animal Matter as Art in Early Modern Kunstkammern
2022
Senga Nengudi: Matter and Motherhood
Black Feminist Practices of Care: Artist-Archivists Cultivating Community
Texture of the Weave: Techniques for Ch’ixi Modernity in the Americas
Rheno-Mosan Treasure Bindings 1150–1200 and their Histories: The Lives and Afterlives of a Type
Fossils for a Future Time: David Smith and the Sculpting of Traces
(Ad)dressing the Gods: Fashioning Identity through the Divine in the Roman Empire
THE INVENTION OF ATMOSPHERE: An Inquiry into an Art Critical Term and its Application to the Effects of Ancient Art
Hanging Objects in Ancient Greek Art and Life
Anarchist Art and Cultures of Science in Fin-de-siècle France
How a Tool Became a Treasure: Luxury Scissors and their Ornamentation in Early Modern Europe, c. 1500–1750
Non-royal Identity as Expressed in Northern Upper Egypt during the New Kingdom
2021
The Carnivalesque and Belgian Modernism
New Objectives: German Painting and Organized Capitalism, 1923–1929
Plant, Animal, Object, Human: Still Life and Empire in the United States, 1815–1875
Museum of the Unknown: Art, Architecture, and the Avant-garde in the 20th Century
The Mobile Secretariat in Mid-Qing China: Artistic Production and the Making of Transregional Literati Culture, ca. 1790–1840
2020
Small-Size Painting and Its Viewership in Southern Song Dynasty China, 1127–1279
Of Monsters and Mirrors: Art and Empire in Nineteenth-Century Britain
Queer Performances of Migration in German and German-Turkish Art and Film from West Germany through Reunification (1955–2000)
Local Depictions of the Foreign Other in Late Ming and Early Qing China
The Polyphonic Forest: Photographing the Amazon, 1970–1989
The Illuminated Yaysmawurk‘i: Ottoman-Armenian Painting and Confessionalism in the Age of Print
Storytelling on the Mosaic Floors of Late Antique Sepphoris
Art History as Intervention: The Formation of a Discourse on Black South African Art
2019
Show Men: Art, Media, and Modernist Theatricality in Egypt, 1875–1956
Beyond the Facade: Mercantile Architecture of the German Hanse, the Dutch East India Company and the Dutch West India Company
Secrecy in the Art of Santiago Rusiñol and the Catalan Modernistes
Essai sur l’architecture Chinoise: Late 18th-Century Jesuit Studies of China
Immersion—Classical Reception and Eastern European Transformations of Hygiene in the Long Eighteenth Century (ca. 1680–1830)
Manuscript production in the Abbey of Fleury 798–1004
Machines of Time, Towers of Knowledge: Miniature Architectural Spaces and the Design of Timepieces in Sino-Euro Encounters, Seventeenth- and Eighteenth-Century
Independence Drop Pon We: The Art and Politics of Jamaica, 1958–1992
2018
Reaching "Peach Blossom Spring": Poetry and Painting in Fifteenth-Century Japan and Korea
Shen Nanpin and the Theorization of Painting in Early-Modern Japan
Painting as "Construction": Ground and Compositional Tectonics in Ferdinand Hodler's Parallelist Paintings (1889–1918)
Imperial Presence in the Villas of Roman Italy
Commemoration and Community: Illuminated Gospel Manuscripts in Monastic Ethiopia, 1280–1350
“Living Pictures”: Pictorialist Photography and the Illustration of Fiction
Suggestions: Art and the Influence of the Psyche after National Socialism
Ethnographic Re-Telling: The Art of Lothar Baumgarten
2017
Confronting the Past in the Critical Third Century
Retrospective Styles in Roman Visual Culture
Deliberate Defacement: Provocation and Response in Byzantine Illuminated Manuscripts
Documents of Social Life: Photography in Popular Front France
2016
2014
Opaque Surfaces and Lived Illusions: Minimalism and the Status of Painting in the 1960s
Staging the Social Document in the Progressive Era: Jacob Riis, Frances Johnston, Lewis Hine
The Content of Context: Appropriation in American Art of the 1980s
Wassily Kandinsky and the Vicissitudes of das Innere, 1908–1914
Drawing from Architecture: The Conceptual Methods of Sol LeWitt's Art, 1965–1980
The Art of War: Battle Paintings of New Spain, 1665–1714
Johann Georg Bendl: Premier Sculptor of Prague’s Early Baroque
Glorious Pulpits: Flemish Preekstoelen, 1650–1750
The Augustan Honorific Altar: Its Emergence, Monumentalization, and Eclipse
A New Realism: Fernand Léger, 1918–1931
The Art of Vija Celmins
Court and Countryside: Central Italian Villas of the Mid-Sixteenth Century
I am the True Vine: Acculturation, Appropriation, and Assimilation in Religious Iconography of Late Antiquity
"Right Matter in the Right Place": The Paintings of Albert Pinkham Ryder
The Histories of Greek Cult Statues outside of Ritual
The Prehistory of the Middle and Lower Changjiang Region
"When we made movies just to make them": Warhol's Films and the Surface of the 1960s
The MARS Group: Going Modern in Britain, 1933–1957
The Sculptural Prop and the Activation of the Object, 1960–1979
The Ethics and Aesthetics of Reuse in Postmodern Design
"Our Decorative Scheme": Abstraction and Subversion in the Designs of the Omega Workshops, 1913–1919
The Album Format in Nanjing Painting, 1640–1680
Veri Ritratti: Pietro Longhi and Genre Painting in Eighteenth-Century Venice
Raoul Ubac's Photographic Surrealism
Methods for Modernism: Arthur Wesley Dow Intersects the Stieglitz Circle
Truth in Translation: Discourses of Photography in Republican Era China
Collaboration in Painting Practice: Notions of Individuality and Quality in Chinese Art
The Johns Device: The Intersection of Bodies, Words, and Objects in Jasper Johns’s Art, 1959–1972
Pages of Memory: Paper Travel in Renaissance Europe, 1480–1600