Natural Disaster in the Atlantic World: Aesthetics, Delight, and Risk during the Long Eighteenth Century

Confrontation and Collaboration: American Artists and Museums in the 1970s

Architecture and Representation in Roman Visual Culture

Garden Architecture in Norman Sicily: Ecosystems of Pleasure and Power

Remains: Animal Matter as Art in Early Modern Kunstkammern

Hybrid Monuments: Hybridity, Biology, and Architecture in Mid-Nineteenth Century France

(Ad)dressing the Gods: Fashioning Identity through the Divine in the Roman Empire

Rheno-Mosan Treasure Bindings 1150–1200 and their Histories: The Lives and Afterlives of a Type

Black Feminist Practices of Care: Artist-Archivists Cultivating Community

Fossils for a Future Time: David Smith and the Sculpting of Traces

Hanging Objects in Ancient Greek Art and Life

Anarchist Art and Cultures of Science in Fin-de-siècle France

Texture of the Weave: Techniques for Ch’ixi Modernity in the Americas

How a Tool Became a Treasure: Luxury Scissors and their Ornamentation in Early Modern Europe, c. 1500–1750

THE INVENTION OF ATMOSPHERE: An Inquiry into an Art Critical Term and its Application to the Effects of Ancient Art

Non-royal Identity as Expressed in Northern Upper Egypt during the New Kingdom

Senga Nengudi: Matter and Motherhood

The Mobile Secretariat in Mid-Qing China: Artistic Production and the Making of Transregional Literati Culture, ca. 1790–1840

New Objectives: German Painting and Organized Capitalism, 1923–1929

Plant, Animal, Object, Human: Still Life and Empire in the United States, 1815–1875

Museum of the Unknown: Art, Architecture, and the Avant-garde in the 20th Century

The Carnivalesque and Belgian Modernism

Queer Performances of Migration in German and German-Turkish Art and Film from West Germany through Reunification (1955–2000)

Storytelling on the Mosaic Floors of Late Antique Sepphoris

Of Monsters and Mirrors: Art and Empire in Nineteenth-Century Britain

The Illuminated Yaysmawurk‘i: Ottoman-Armenian Painting and Confessionalism in the Age of Print

Small-Size Painting and Its Viewership in Southern Song Dynasty China, 1127–1279

The Polyphonic Forest: Photographing the Amazon, 1970–1989

Local Depictions of the Foreign Other in Late Ming and Early Qing China

Art History as Intervention: The Formation of a Discourse on Black South African Art

Independence Drop Pon We: The Art and Politics of Jamaica, 1958–1992

Beyond the Facade: Mercantile Architecture of the German Hanse, the Dutch East India Company and the Dutch West India Company

Machines of Time, Towers of Knowledge: Miniature Architectural Spaces and the Design of Timepieces in Sino-Euro Encounters, Seventeenth- and Eighteenth-Century

Secrecy in the Art of Santiago Rusiñol and the Catalan Modernistes

Essai sur l’architecture Chinoise: Late 18th-Century Jesuit Studies of China

Immersion—Classical Reception and Eastern European Transformations of Hygiene in the Long Eighteenth Century (ca. 1680–1830)

Manuscript production in the Abbey of Fleury 798–1004

Show Men: Art, Media, and Modernist Theatricality in Egypt, 1875–1956

Ethnographic Re-Telling: The Art of Lothar Baumgarten

Shen Nanpin and the Theorization of Painting in Early-Modern Japan

“Living Pictures”: Pictorialist Photography and the Illustration of Fiction

Painting as "Construction": Ground and Compositional Tectonics in Ferdinand Hodler's Parallelist Paintings (1889–1918)

Imperial Presence in the Villas of Roman Italy

Commemoration and Community: Illuminated Gospel Manuscripts in Monastic Ethiopia, 1280–1350

Suggestions: Art and the Influence of the Psyche after National Socialism

Reaching "Peach Blossom Spring": Poetry and Painting in Fifteenth-Century Japan and Korea

Retrospective Styles in Roman Visual Culture

Deliberate Defacement: Provocation and Response in Byzantine Illuminated Manuscripts

Documents of Social Life: Photography in Popular Front France

Confronting the Past in the Critical Third Century

Concordia and Succession at Rome

Wassily Kandinsky and the Vicissitudes of das Innere, 1908–1914

I am the True Vine: Acculturation, Appropriation, and Assimilation in Religious Iconography of Late Antiquity

Collaboration in Painting Practice: Notions of Individuality and Quality in Chinese Art

Glorious Pulpits: Flemish Preekstoelen, 1650–1750

Raoul Ubac's Photographic Surrealism

Staging the Social Document in the Progressive Era: Jacob Riis, Frances Johnston, Lewis Hine

The Sculptural Prop and the Activation of the Object, 1960–1979

"Right Matter in the Right Place": The Paintings of Albert Pinkham Ryder

The Augustan Honorific Altar: Its Emergence, Monumentalization, and Eclipse

Methods for Modernism: Arthur Wesley Dow Intersects the Stieglitz Circle

The Content of Context: Appropriation in American Art of the 1980s

The Ethics and Aesthetics of Reuse in Postmodern Design

The Histories of Greek Cult Statues outside of Ritual

A New Realism: Fernand Léger, 1918–1931

Truth in Translation: Discourses of Photography in Republican Era China

Drawing from Architecture: The Conceptual Methods of Sol LeWitt's Art, 1965–1980

"Our Decorative Scheme": Abstraction and Subversion in the Designs of the Omega Workshops, 1913–1919

The Prehistory of the Middle and Lower Changjiang Region

The Art of Vija Celmins

The Johns Device: The Intersection of Bodies, Words, and Objects in Jasper Johns’s Art, 1959–1972

The Art of War: Battle Paintings of New Spain, 1665–1714

The Album Format in Nanjing Painting, 1640–1680

"When we made movies just to make them": Warhol's Films and the Surface of the 1960s

Court and Countryside: Central Italian Villas of the Mid-Sixteenth Century

Pages of Memory: Paper Travel in Renaissance Europe, 1480–1600

Johann Georg Bendl: Premier Sculptor of Prague’s Early Baroque

Veri Ritratti: Pietro Longhi and Genre Painting in Eighteenth-Century Venice

Opaque Surfaces and Lived Illusions: Minimalism and the Status of Painting in the 1960s

The MARS Group: Going Modern in Britain, 1933–1957