Opaque Surfaces and Lived Illusions: Minimalism and the Status of Painting in the 1960s

The Sculptural Prop and the Activation of the Object, 1960–1979

I am the True Vine: Acculturation, Appropriation, and Assimilation in Religious Iconography of Late Antiquity

Glorious Pulpits: Flemish Preekstoelen, 1650–1750

Methods for Modernism: Arthur Wesley Dow Intersects the Stieglitz Circle

Staging the Social Document in the Progressive Era: Jacob Riis, Frances Johnston, Lewis Hine

The Ethics and Aesthetics of Reuse in Postmodern Design

"Right Matter in the Right Place": The Paintings of Albert Pinkham Ryder

The Augustan Honorific Altar: Its Emergence, Monumentalization, and Eclipse

Truth in Translation: Discourses of Photography in Republican Era China

Wassily Kandinsky and the Vicissitudes of das Innere, 1908–1914

The Content of Context: Appropriation in American Art of the 1980s

"Our Decorative Scheme": Abstraction and Subversion in the Designs of the Omega Workshops, 1913–1919

The Histories of Greek Cult Statues outside of Ritual

A New Realism: Fernand Léger, 1918–1931

The Johns Device: The Intersection of Bodies, Words, and Objects in Jasper Johns’s Art, 1959–1972

Drawing from Architecture: The Conceptual Methods of Sol LeWitt's Art, 1965–1980

The Album Format in Nanjing Painting, 1640–1680

"When we made movies just to make them": Warhol's Films and the Surface of the 1960s

The Art of Vija Celmins

Pages of Memory: Paper Travel in Renaissance Europe, 1480–1600

The Art of War: Battle Paintings of New Spain, 1665–1714

Veri Ritratti: Pietro Longhi and Genre Painting in Eighteenth-Century Venice

The MARS Group: Going Modern in Britain, 1933–1957

Court and Countryside: Central Italian Villas of the Mid-Sixteenth Century

Collaboration in Painting Practice: Notions of Individuality and Quality in Chinese Art

Johann Georg Bendl: Premier Sculptor of Prague’s Early Baroque

Raoul Ubac's Photographic Surrealism

Concordia and Succession at Rome

Confronting the Past in the Critical Third Century

Retrospective Styles in Roman Visual Culture

Deliberate Defacement: Provocation and Response in Byzantine Illuminated Manuscripts

Documents of Social Life: Photography in Popular Front France

Painting as "Construction": Ground and Compositional Tectonics in Ferdinand Hodler's Parallelist Paintings (1889–1918)

Imperial Presence in the Villas of Roman Italy

“Living Pictures”: Pictorialist Photography and the Illustration of Fiction

Commemoration and Community: Illuminated Gospel Manuscripts in Monastic Ethiopia, 1280–1350

Suggestions: Art and the Influence of the Psyche after National Socialism

Reaching "Peach Blossom Spring": Poetry and Painting in Fifteenth-Century Japan and Korea

Ethnographic Re-Telling: The Art of Lothar Baumgarten

Shen Nanpin and the Theorization of Painting in Early-Modern Japan

Immersion—Classical Reception and Eastern European Transformations of Hygiene in the Long Eighteenth Century (ca. 1680–1830)

Manuscript production in the Abbey of Fleury 798–1004

"Independence drop pon we!": The Art and Politics of Jamaica, 1958–1992

Show Men: Art, Media, and Modernist Theatricality in Egypt, 1875–1956

Machines of Time, Towers of Knowledge: Miniature Architectural Spaces and the Design of Timepieces in Sino-Euro Encounters, Seventeenth- and Eighteenth-Century

Beyond the Facade: Mercantile Architecture of the German Hanse, the Dutch East India Company and the Dutch West India Company

Essai sur l’architecture Chinoise: Late 18th-Century Jesuit Studies of China

Local Depictions of the Foreign Other in Late Ming and Early Qing China

Art History as Intervention: The Formation of a Discourse on Black South African Art