This seminar explores the history of early modern European printing and its materials, with a focus on Albrecht Dürer. An underlying assumption of the course is that art-making materials and practices are linked to contemporary conceptions and theories of nature. From 1450 to 1850, the natural resources most commonly deployed for printing were wood, metal, and stone. Their use was shaped by environmental conditions, and had an impact on the ecology of their places of origin. While the course will focus on European print culture, and Albrecht Dürer when possible, it also will refer to early modern print materials and practices from East Asia.