Speaker
Affiliation
Princeton University
Details
Event Description
Cosponsor(s): Princeton University Art Museum and Department of Art & Archaeology
Abstract
In February 1917, the American photographer Alvin Langdon Coburn staged a modest show of eighteen photographs and thirteen watercolors at the London Camera Club. By looking at the context of this exhibition of what his friend Ezra Pound dubbed "Vortographs," this lecture will probe why Coburn sought to free his medium from reality (as he wrote) at this critical historical moment.