Bandung to Berlin explores the radical imagination of the global Cold War, the aesthetics of Non-Alignment, and the role of art in the era of decolonization. Though these topics are often treated as separate paradigms, their points of interconnection are deeply entangled. As former colonies across Africa, Asia, and the Caribbean fought for and gained independence, new national agendas navigated the competing pressures of the Cold War and resisted a dichotomous world order. This conference will explore transnational artistic exchanges and cultural diplomacy in the years 1947-1989, especially across regions in the Global South. We hope to foster new conversations about the confluence of art and politics in larger cultural imaginaries.